Italian Painter, 1858-1917  Related Paintings of Giulio Rosati :. | William Woollett | Carnival | Study for The Wave,feminine figure,back right Mixed media on board (mk19) | The Martyrdom of St Stephen | The Prophetess Anna |
Related Artists:
Jean-Pierre Norblin de La Gourdaine
(in Polish, Jan Piotr Norblin; 15 July 1745 - 23 February 1830) was a French-born painter, draughtsman, engraver, drawing artist and caricaturist. From 1774 to 1804 he resided in the Polish-Lithuanian Commonwealth, where he obtained citizenship. He is considered one of the most important painters of the Polish Enlightenment. He achieved great success in Poland. Given many commissions from some of the most notable families of the Polish-Lithuanian Commonwealth, he stayed there for many years, not returning to Paris until the early 19th century. His style showed the influence of Antoine Watteau, and combined the Rococo tradition of charming fates galantes and fetes champetres with a panorama of daily life and current political events, captured with journalistic accuracy. He created a gallery of portraits of representatives of all social classes in the last years of the Polish-Lithuanian Commonwealth.
MINDERHOUT, Hendrik van
Flemish painter (b. 1632, Rotterdam, d. 1696, Antwerpen). Dutch painter, active in the southern Netherlands. For unknown reasons, he was known as the 'Green Knight of Rotterdam'. In 1644 he married Margareta van den Broecke, and in 1652 he went to Bruges, where in 1663 he entered the Guild of St Luke; the marine painting that he submitted to the Guild to become a member used to be displayed in the Salle d'Acad?mie as a companion piece to the picture submitted by Rubens on his entry to the Guild. In 1672 van Minderhout moved to Antwerp, where he was admitted to the Guild the same year and where, in return for exemption from all obligations as a guild member, he presented a large canvas representing an Eastern seaport. In 1673 he married his second wife, Anna-Victoria Claus. They had five children, including two sons, Antoon van Minderhout (b 26 Sept 1675; d 22 Dec 1705) and Willem August van Minderhout (b 28 Aug 1680; d 31 June 1752), who also became painters. Hendrik van Minderhout painted mostly sea and harbour views, in the tradition of Jan Baptist Weenix and Johannes Lingelbach. His subjects included the port of Antwerp, as well as imaginary views of Mediterranean harbours and oriental seaports
Emile Schuffenecker
French Post-Impressionist Painter, 1851-1934 French painter. In 1871 he entered the stockbroking firm of Bertin, where he met Paul Gauguin who was also employed there. In his spare time he took drawing classes and studied with Paul Baudry and Carolus-Duran, making his debut at the Salon in 1874. He also became acquainted with Armand Guillaumin and Camille Pissarro. Following the stock market crash of 1882, he, like Gauguin, was forced to leave Bertin and gained a job teaching art at the Lycee Michelet in Vanves. In 1884 he was one of the co-founders of the Salon des Independants and took part in the 8th and last Impressionist Exhibition in 1886, the year in which he also met Emile Bernard in Concarneau and sent him on to see Gauguin, thus initiating their joint development of CLOISONNISM. Though he mixed with the members of the Pont-Aven group his own artistic tastes were very different. While Gauguin and his disciples had little more than contempt for Neo-Impressionism, Schuffenecker was much interested in pointillist techniques.